My practice is rooted in an ongoing exploration of ancestral memory, reclamation, and embodied resistance. I engage with the decorative arts—particularly ceramics—as a point of historical reflection, honoring the overlooked labor and artistry of unnamed Black craftspeople across the African diaspora. My work is especially informed by the material and cultural legacies of the Antebellum South—from the powerful ceramic traditions of Edgefield, South Carolina, to the spiritual endurance found in the Gullah/Geechee corridor and the oral storytelling woven through the Mississippi Delta and Louisiana Bayou.

In this particular body of work I am interested in the archival memory embedded in material and form. Through a multidisciplinary approach that spans vessel-making, performance, spoken word, and photography, I activate a space where past and present collide. My body becomes both subject and medium, moving with deliberate autonomy to assert creative agency in spaces that have historically marginalized Black presence and expression.

Each work is a migration—physical, spiritual, and conceptual—toward reclaiming visibility, power, and authorship in environments where Black bodies have often been rendered invisible. In this way, my practice becomes both a personal reimagined and collective act of remembrance, resistance, and transformation.